Sharkevader

Strike Financial Deals with Footage owners

Strike Financial Deals with 3rd Party Talent:

1. Actors

2. Writers

3. Musicians

4. Music Publishers

5. Photographers

6. Record Companies

7. Management

8. Newspapers/Magazines

9. Logo owners

Deal with Matters of Copyright.

Deal with Matters of Contractual, Business & Mercantile Law.

Write and Devise Contracts/Licenses with All Parties - and Administer this

Strike Financial Deals for Mechanical Copyright & Commercial Disc Licenses

Strike Financial Deals for Music Publishing SynchronisationLicenses

Oversee 'Archive Budgets' that all too often include a 'one-stop' figure for:

1. Courier Costs

2. Data Access Costs

3. Viewing Costs

4. Screener Costs/Master Transfer Costs

5. Standards Conversion Costs

6. Moving Image License Costs

7. Commercial Disc License Costs

8. Music Publishing Synchronisation License Costs

9. Third Party Clearance Costs

10. Performance Rights Costs

11. Talent Costs

12. Photographic Licensing Costs

13. Newspaper/Magazine Licensing costs

14. Logo Licensing Costs

Strike 'Performance Clearance Deals' with 'On Screen Talent'

Advise Directors on matters like 'Pay For Play':
E.g. You pay for the first minute of any footage ordered up on a master tape format whether you use it in the Final Cut or not.

Oversee ALL aspects of Documentary Post Production

E.g.

1. Do the 'Off-Line Edit' load-in/ i.e. the loading in of Archive tapes into Avid

2. Attend to the creating the 'Edit Distribution List'/logging on Avid

3. Direct and oversee the Rostrum Shooting of Artwork & Photographic Stills

4. Attend to Audio 'Off Laying' and 'Lay Backs' (inmusic-based documentaries)

5. Oversee the Grading of Archive

6. Oversee the Track Laying/Dubbing

7. Attend and load-in the Maser Archive tapes during 'OnLine' editing

Create the 'Programme as Transmitted' log of every 'on screen' minute of Copyright to include:

1. Image Rights

2. Music Publishing Rights

3. Commercial Discs Rights

4. 3^rd Party Rights
   (Normally PA work)

YET ALSO WORK AS 'ARCHIVE RESEARCHERS' UTILISING:-

1. A knowledge of the History of Cinema

2. A knowledge of the History of TV

3. A knowledge of the History of Audio Visual News

4. A knowledge of the History of The Documentary Movement

5. A knowledge of International TV collections

6. A knowledge of global Audio Visual Libraries both Corporate and Private

7. A knowledge of the History of Record Company Archives /Audio Visual

8. A knowledge of Specialist Audio Visual collections (all genres)

9. A knowledge of Newspaper libraries (and the licensing of items)

10. A knowledge of Photographic Libraries (and Licensing the said images)

One is often expected to undertake the following as well:

1. Journalistic Research

2. Book guests

3. and much more